Elizabeth Bishop (1911-1979): The Art of Seeing Clearly
  
  - The Return to the Aesthetic in American Poetry
  
  
  - The Road Not Taken: Frost, Williams, Moore, Stevens
- The New Critics: Ransom, Wimsatt, Brooks, Abrams, Beardsley
- The Verbal Icon
- Art and Craft
  - Elizabeth Bishop’s Private Life and Art
  
  
  - New England and Nova Scotia
- Vassar and Literary Life
- Travels to Brazil
- Fame and Later Life
  - The Geography of the Imagination: "The Map" and "Wading at Wellfleet"
  
  
  - The Power of Description
- The Lyric Moment
- The Knowledge of Place
  - Urban Landscapes: "Man-moth" and "Love Lies Sleeping"
  
  
  - Urban Life in America
- The Light of Desire
- The World Inverted
  - The Literary Aesthetic Object: "The Monument"
  
  
  - The Poem in the Landscape
- Question and Response
-  "Now can you see the monument?"
- "Watch it closely."